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Music and Spiritual Practice - An Overview of Poligraf
Music has been an essential part of my life since the end of the 80s.
The adventure began during the second of my four years of studying electrical engineering at Université Laval in Québec City. Through various friends and contacts I reconnected with progressive rock, a form of music to which I had already been exposed to in my youth thanks to my older brothers and sisters. Hearing the music of bands such as Yes, Rush, Genesis, and King Crimson felt like meeting old friends, and quickly I knew I just had to do as those musicians did, although my prior experience with music had been minimal at that time.
The feeling was so strong that not only did it led me to buy various instruments so I could learn how to play, but it was also the main force that made me decide to change direction after my first semester as a graduate student in computer vision and systems so I could build my life around music. And perhaps more importantly, when it became clear that I would compose music of my own, it spawned the question "what should the songs be about ?" which powered me into many years of exploring a multitude of domains of knowledge including science, philosophy, psychology, art, mysticism, and the occult.
Music for me is also spiritual practice. The inspiration and elevation it provides is undeniable, and the many insights I have had while practicing an instrument or rehearsing a part are too numerous to recount. Music picks me up when I let reason bring me down, restores my energy levels when I feel tired, sustains me through lengthy work sessions, and generally brings me to a state of inner peace and deep joy.
My objective as a musician is to communicate that energy in the hopes that listeners will experience that very same elevation and inspiration. It is also my intention to share my experiences and discoveries and thus hopefully help others reach understandings that can they can use on their own journey.
Buddhism has been an essential part of my life since the mid-90s.
The adventure began when I stumbled upon a feature in an encyclopedic dictionary that highlighted the Four Noble Truths. That finding immediately sparked my curiosity and a few days later I was buying a copy of The Dhammapada at a local bookstore. While slowly digesting the aphorisms in the weeks that followed, I found that its teachings were in continuity with a process of introspection that had begun during an introductory course on neural networks (i.e. systems designed to emulate some of the capabilities of the human brain, such as pattern recognition and associative memory), the study of which had triggered the question "what does this tell me about my own inner workings ?"
From then on I pursued my explorations and plunged into the Tibetan Book Of The Dead, which was quickly followed by various Mahayana sutras. I also bought a guide to learn how to meditate and started experimenting with the practice.
During the years that followed, I plowed through most of the major Mahayana sutras, progressively adjusted my lifestyle and behaviour to accord with the precepts, refined my meditation practice, memorized mantras, and became a vegetarian.
Meditation and mantra recitation are now part of my daily practice.
Poligraf has been an essential part of my life since its inception at the beginning of February 1998.
The adventure began after the collapse of a band that probably never really existed as it only had a handful of rehearsals, but for which I had already written a lot of material. Left alone at the helm, I connected with a group of experienced musicians via a co-worker friend and after agreeing on a general aim and formula, we raised sail and headed to the terra incognita of progressive rock.
Over its eleven years of activity in various incarnations, Poligraf has yielded enough music for three full-length albums and two conceptual EPs, but never really had a chance to officially record any of them, although some of the material has been performed on stage on various occasions.
Most of the music documents my own spiritual path and presents some of the lessons that life has taught me on the way. Some pieces are directly inspired by Buddhist texts or teachings. For instance, "Between Worlds" is directly inspired by the Tibetan Book Of The Dead, and "The Idler" and "Creeper" have been inspired by aphorisms of The Dhammapada. "Void" illustrates the Buddhist concept of emptiness, and "SubjeKctiv" serves as a reminder of the subjectivity of experience and the coextensivity of worlds. "Entering the Stream" is a suite in three chapters that depicts the trajectory of an individual fed up with the mundane who decides to retreat into an ashram for some heavy introspection before returning to the ordinary with a renewed perspective on life.
Throughout all these years, if the Mahayana has provided the vehicle, then Poligraf has certainly provided landscapes, path, and drive, while the buddhas have completed the picture with their timely, serendipitous, and often magical interventions.
I don't know why I feel so strongly about music, progressive rock, and Poligraf in particular, but I just know I do and I trust that feeling to the best of my ability. My connection to Poligraf runs so deep that whenever I let hardships or circumstances turn into reasons to believe that there's no viable future for the band, then I retreat into apathy. That is, until that unmistakable feeling breaks through the veil of confusion to drive me again. To the best of my present understanding, my own self-realization seems to be linked to that of the band, if not as the culmination of my spiritual practice, then at least as an essential stepping stone towards it.
Poligraf's first album is entitled "Samsara." Traditionally, the term refers to the Buddhist concept of the cycle of birth and death in which all beings in the universe take part and which can be escaped only through enlightenment. Personally, I agree with the view that it is rather that very same process of enlightenment, in which ups and downs are in fact the appearance of constant motion towards spiritual growth.
In accordance with that perspective, the album presents a collection of pieces that depicts the journey of an individual who faces a series of challenges through which they will experience various transcendences, on their way to a better version of themselves.
Poligraf is very much eager to spread its wings and go into recording mode. The boys in the band would be grateful if you would be kind enough to learn more about "Samsara" and listen to the demos. You're also invited to extend your support and pre-order one of the packages we have put together to that intent.
Thank you for reading thus far, and best wishes to you on your journey.
Posted on September 4, 2009 at 5:26am —

(Tobyo from the Bakemono-Dukushi - Unknown Artist)
"Uncoiling I" was originally written in September 2002, elaborating on drafts da
… ContinuePosted on September 3, 2009 at 5:11am —

"Introspection II" is the fifth section, and second with vocals, of "The Chrome Lake." And as is the case for its almost-but-not-identical twin "Introspection I," the subject matter is pretty much self-explanatory.
Verse
Posted on September 1, 2009 at 6:35am —

(Erie Steam Road Roller scanned by Andy Dingley from the "New Catech
Posted on August 27, 2009 at 2:01pm —
Posted on August 24, 2009 at 7:45pm —
© 2009 Created by Chris Tinney, RMT, Sensei on Ning. Create a Ning Network!
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*shrug*
Hill

Hi, Christ,Ahah! Although I'm amazed at how electronic music-gizmos have progressed over the years (but not the bass-synths--they're evil & always will be), I thought that Countless Qs...2 was played by y'all on your respective instruments.
Too daggum bad about your late-and-unlamented bassist. Wait, that's a contradiction, unless you are lamenting his/her/its departure. My motto is: If someone wants to leave, let 'em. It'll be alright. I read your bio more carefully yesterday and you're one motivated, spiritual muso. You'll get where you're heading. Why? Because unlike most of us, you seem to know where you're going.
Good Call: I read Zen and the Art of Motorcycle Maintenance years ago. Time for me to revisit that classic, given that it's so precious. I've never gotten me a motorcycle, though. I like cars a whole lot better and, hooboy do those ol' boys need maintenance, plus an owner who's got a clue, as prophlaxis against ripoff mechanic-"diagnosticians" (my ars*). So my Zen's intertwined with my car and the multiple road trips I take off the beaten path. It's such a fascinating, weird country, the USA. I've got plenty to see and gape at.
Problem for me with my writing is that it's about many topics, and, usually, the best (not that this is the best) comes out in correspondence. I've toyed with the idea about writing about patients, ala Oliver Sacks, but haven't gotten to that yet. I think I've got serious internal resistance to exposing the lives of those suffering souls to any readership, no matter what my excuses might be (e.g., we need to fight the stigma of mental illness, etc.) and no matter what precautions I'll--of course--take to conceal their identity.
If you haven't worked with, lived with, or been severely mentally ill, you cannot have a clue what these folks face. The Western World, including the Canadian one (darn right) out to be ashamed of what it does to its most vulnerable.
Lecture over.
Later, amigo,
Hillz
Countless Questions Part 2 has some scorching leads and signature-changes. But I should be playing bass on it, daggum. Nah, I've never played prog. Still, the groove part...I've got it in my head.
How's your current bassist? See, I'm assuming that you're using, like before, mainly electronic-gizmos on your demos. Or, perhaps you're just playing every single instrument, singing and in general being a loon?
Well, Chris, time to give you grades for your Composition and Performance classes. Off I go. Check out the stars.
Yo, Hill

My Northern brother (degrees-of-separation & so on),Great to read from you. It always is a trip of some sort, consistently of the fun sort. I'm not one of those (they know who they are) who lives on this site. So when I visit and find a msg from you, it's to be savored, given that it actually has content beyond HTML. Yeah, I'm racking up the miles on the highways, roads, streets, gravel paths, creek beds and so on of this adorable Republic of mine. And it ain't that shabby at all, neither the Republic nor all the travels. Fascinating! I'll be putting peeps to sleep for years with my stories.
Yes. Well, to my delight, though, 'cause I dreaded them deep-down, some opportunities have turned out to be mere flashes in the pan of my career. Texas and Oklahoma were "Hi-Goodbye" and that was useful but, as I imply above, mercifully short. I'm not comin' round there no more. Too flat, F-5 tornado-magnet in spring, sizzling in summer, CONSERVATIVE (in the most boring sense) too...never mind. I don't want to hurt any folks' feelings. One person's hellhole is another's dream-home and vice-versa.
Heck, the autumn foliage is nice in the ol' US once I'm (&, likely, others are) north of the 35 parallel N, roughly, and East of the 98th meridian. I know this not just from reading, which I do, but because I've been driving north and south and literally tracking the progress of the season. Well, it's been a while, so I also tracked the progress of summer. I like this season a helluva lot mo' fo' sho.' Driving up I-55 from Memphis (35N), I enjoyed watching "more and more fall." Then I hit the Saint Louis area (~39N), and the foliage is getting very showy.
Yep. Of course, now I'm getting calls from recruiters regarding jobs well to the north of STL, so perhaps the US North is recuperating a tad from Great Depression II. What a see-saw. Soon, I'll be adding some Northern States to my list of nascent "homes." Hopefully, I'll be subtracting an equal number. Jolly good fun however it goes.
And, ironically, I'll probably end up setting up shop in the very town I left. Oh, yeah, I left lots, but you know what I'm talking about. So this joy-ride of free-lancing is kick-aye, dude, especially knowing that I've finally got some peeps back in Saint Louie-Louie working out some deals for me so that I can get a solid job offer and settle down, for Heaven's sake, in a place that at least approximates "home" for me--my folks have been livin' in ol' Louis for 19-yrs, not me, but the old "blood is thicker than water" saw is true.
Dude, you're immersed in your music. That's clear, and, checking your page, it's sounding really nice!! Just make sure not to step out into tonight's blizzard, heheheh. This Moosehead's on me, blood.
Here's to a nice-as-can-be weekend!
~Hill

Maestro Chris,Kicka** to read from you, my man! Yeah, TX, VA, uh, huh-huh! You must be wondering if I've gone mad. It's possible, but I don't think so. It's just that things, as usual, are becoming more interesting than I assumed. So I am rotating between a number of Southern States, because, lo, the job-drought appears to have vastly improved, and I have a number of opportunities, or so it appears. I'm definitely doing the psych-thang like in days bygone. Yep, Tejas...Texas.... Frankly, in spite of all the attention traditionally given to the largest US State in the Contiguous USA (which is very impressed w/itself), I'm not that sure it's for me. So although the gorgeous North remains in Deep Depression II, the South's making a slow comeback and I'm checking out some gigs further north of the Lonestar State. Virginia, a State I adore, doesn't seem to be a keeper, gig-wise. More like a temp-deal. And that's jest fine.
Heck, I was surprised how much I enjoyed Oklahoma City! Toby Keith's town, of all places. Since the 1995 bombing of the Murrah Federal Bldg by the late and unlamented ('cept by Nazis) McVeigh, the people of that State have stepped up to the plate and built the town up tastefully & it's now a massive, surprisingly (I thought it's just dusty & dingy down there) active, diverse sprawling metro with a kickin' downtown. Yeah, right there in the Buckle of the Bible Belt. I'm writing lots 'bout that particular town b/c it's another prospect, probably better than the current VA "affair" for professional reasons. So I'm relieved that OKC, although way down South, is a real city, is very green, and even has four seasons, although of course summer's a major scorcher oh-well. And, shoot, tornadoes sure dig OK come springtime.... But, dude, this is fun. Until I settle on s/t for the LT, I'll be spending the next few mos essentially freelancing across the Southland, seeing what clicks and sticks.
Rock the Casba, Mr Stewart!
Once I "stick" somewhere, I'll get back to playing in a band. I am tweaking bad over being an, uh, "soloist." So this too will be repaired in due time.
All the Best,
"The Knight" Hill
glitter-graphics.com
http://helenscrcle.ning.com

YOU: Ni ! Nice avatar Hillman Brother ! ;o) ME: We are no l-o-n-g-e-r the Knights Who Say 'Ni,' but rather, we are now the Knights Who Say 'Icki Icki" etc. Yes, that avatar fits me. Props on the ID.YOU: You guys have a neat flag... first time I've seen it... prompted me to look up the story in Wikipedia...
ME: Yeah, Saint Louis has a good looking flag. There's a statue of that "Saint" Louis (French crusader, i.e., Killer-for-Christ *sigh*) king in front of the St Louis Art Museum. I confess, it is a striking statue. I believe I took a pic of it, in analog as always. I'll develop the film and sent you a jpg scan if so.
YOU: Have you started looking for bands in the South ? Recalling from my time as online music distributor, the scene in Texas is quite active... well, at least it was then...
ME: Hooboy, no! First I want to get the written offers (they'll come soon). Second, I want to negotiate with aforesaid offerers, so I don't have to live in a van down by the river (RIP, Chris Farley). Third, I will proceed to go on down there to find a suitable dwelling-place. I doubt it'll be in the small town in which the giant hospital dwelleth. Fourth (that's pretty high up on my list of 100 "to-dos," I'll check out the music scene. TX is huge: Check it out on the map. I'll be a couple of hrs away from the Dallas-Ft Worth Metroplex, where the music scene is indeed phenomenal. It's awesome in Austin, too, but that's hours and hours south. You're right about TX: From Pantera (RIP, Dimebag) to you-name-it, numerous acts covering the genre-spectrum hail/ed from TX. And, yes, the US South overall has been very fertile, rock-wise: My fav college band (i.e., back when I was in college) REM's from GA, Skynard's from FL, Allman Bros from GA, 3-Doors Down's (I think they're getting grittier, which I prefer; their poppish debut ticked me off) from MS, lots of hard rock and metal bands cropping up in FL, Down's from LA (not the CA one; the Creole/French-Quarter one), my fav alt country-rock singer-songwriter Alison Moorer's from AL, Cross-Canadian Tumbleweed's from OK, The Black Crowes are from GA, and for rocking out loud--the blues--mamma of all rock's from the MS Delta.... And let's not forget the massive Memphis scene, home of Stax and too many acts to count back in the day. And, heck, the King's from MS. Endless list.
YOU: When are you moving ?
ME: When the logistics (offer, negotiation, acceptance, scouting the area, assuring open deals up here are shut) are dealt with. Probably in October if all goes well. It'll be snowing up your way by then. Y'all pay in the winter, north Texans pay in the summer. You can't always git what you want.
You:Blessings,
Me: Amen. Thanks; from your keyboard to God's to-do list.
You: Chris
Me: Hill
Heck, Chris,
Well, then by all means go for the fleur de lys: It's on the flag of my current city, eh! The maple leaf is on the flag of the country that gives y'all so much grief. I think I get it. So git 'er done!
And, yeah, Bobby McFerrin gave us the right advice years ago but we didn't listen. I just thought that he'd "sold out," given the genius he is. The song was too simple, and so on, right? Wrong: It's profound. That's why it took me around two decades to get it.
Southbound.... I reckon I'll get me some Allman Bros CDs and so on. Time to git ready for this here change, ah reckon. Yeehah! Dixie-time.
Hillman Bro
Yes, Yep. Ah jest returned from way the heck down South and, that's right, buddy, that's right: Looks like I'm heading way down South for quite some time, where I can be free. Ain't no hangman gonna put a rope around me. Hey Joe. There's some strong opportunities down yonder, on account of the massive size of Texas and it's unusually healthy State budget.
Yeah, WTF. Whacked how life is, and I don't want to worry about stuff. Worrying worries me and the whole enterprise (worrying) is overrated and leads to disease and dis-ease.
Yo,
Hill
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